April 29, 1917 – October 13, 1961
She intended for her films to be 'an experience'
She used editing, multiple exposures, jump cutting, superimposition and slow-motion
Created continued motion through discontinued space, while abandoning the established notions of physical space and time, with the ability to turn her vision into a stream of consciousness
Films have an autobiographical tone to them
Arrived at USA in 1922
